Friday, May 1, 2015

Top Films (April 2015)

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L'homme que l'on aimait trop/In the Name of My Daughter (2014, André Téchiné)

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Iris (2014, Albert Maysles)

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Marina Abramovic: The Artist Is Present (2012, Matthew Akers, Jeff Dupre)

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The Human Experiment (2013, Don Hardy Jr., Dana Nachman)           

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Mon amie Victoria/My Friend Victoria (2014, Jean-Paul Civeyrac)       

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Bill Cunningham New York (2010, Richard Press)

Tuesday, April 7, 2015

Top Films (March 2015)


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Weapons of the Spirit (1987, Pierre Sauvage)





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The Pervert's Guide to Cinema (2006, Sophie Fiennes)



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White God/Fehér isten (2014, Kornél Mundruczó)

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3 coeurs/3 Hearts (2014, Benoît Jacquot)


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Girlfriends (1978, Claudia Weill)

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Man from Reno (2014, Dave Boyle)


Shorts:
Elsa la rose (1966, Agnès Varda)
Les Demoiselles ont eu 25 ans/The Young Girls Turn 25 (1993, Agnès Varda)

Honorable Mention:
I Hired a Contract Killer (1990, Aki Kaurismäki)
Ai Weiwei: Never Sorry (2012, Alison Klayman)

Wednesday, March 18, 2015

Top Films (February 2015)

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La muerte de un burócrata/Death of a Bureaucrat (1966, Tomás Gutiérrez Alea)
Les Maudits/The Damned (1947, René Clément)
Crime Wave (1985, John Paizs)
Les années 80 (1983, Chantal Akerman)

Short Film:
Indochine: College Boy (2013, Xavier Dolan) Video Link

Saturday, February 7, 2015

Top Films (January 2015)

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Flicka oct hyacinter/Girl with Hyacinths (1950, Hasse Ekman)
This film wants to be Otto Preminger's Laura sometimes, but this Swedish gem is distinctly its own.

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Falkenau, the Impossible (1988, Emil Weiss)
Director Samuel Fuller rants for over an hour about the holocaust and says that people who don't believe the holocaust ever happened should be sent away. Yes, please.

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Abschied von gestern - (Anita G.)/Yesterday Girl (1966, Alexander Kluge)
I had heard about Kluge's filmmaking for years, but still wasn't prepared for this breathtakingly vivacious movie.

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Viva Cuba (2005, Juan Carlos Cremata Malberti, Iraida Malberti Cabrera)
This is a cute and charming movie about the friendship between a boy and a girl. Even at around nine or ten years old, they are bound by societal restrictions which they seek to overcome.

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Household Saints (1993, Nancy Savoca)
It started out quietly, but by the time it ended, I was convinced it was a masterpiece. Spanning three decades and looking into the life of an Italian-American family, Nancy Savoca has created another worthwhile film.

Honorable Mention:

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Gaudi Afternoon (2001, Susan Seidelman)
Judy Davis' detective is not unlike Elliott Gould in Robert Altman's The Long Goodbye. However, the setting is Barcelona and she is paired with the wild Marcia Gay Harden, in one of her best performances. How come this movie is so unknown? It is beyond me.