- Double vie de Véronique, La/The Double Life of Veronique (1991, Krzysztof Kieslowski)
- A Star is Born (1937, William A. Wellman)
- Trois couleurs: Rouge/Three Colors: Red (1994, Krzysztof Kieslowski)
- Eternal Sunshine of the Spotless Mind (2004, Michel Gondry)
- Bonnie and Clyde (1967, Arthur Penn)
- Network (1976, Sidney Lumet)
- Crimes and Misdemeanors (1989, Woody Allen)
- Sunset Blvd. (1950, Billy Wilder)
- Bon voyage (2003, Jean-Paul Rappeneau)
- La Cérémonie/A Judgement in Stone (1995, Claude Chabrol)
- Sense and Sensibility (1995, Ang Lee)
- Shadow of a Doubt (1943, Alfred Hitchcock)
- Roman Holiday (1953, William Wyler)
- Cléo de 5 à 7 /Cleo from 5 to 7 (1962, Agnes Varda)
- The Royal Tenenbaums(2001, Wes Anderson)
- Angst vor der Angst /Fear of Fear (1975, Rainer Werner Fassbinder)
- Goodfellas (1990, Martin Scorsese)
- Vertigo (1958, Alfred Hitchcock)
- Dangerous (1935, Alfred E. Green)
- All About Eve (1950, Joseph L. Mankiewicz)
- Todo sobre mi madre/All About My Mother (1999, Pedro Almodóvar)
- Confidences trop intimes/Intimate Strangers (2004, Patrice Leconte)
- My Life Without Me (2003, Isabel Coixet)
- M (1931, Fritz Lang)
- Cet obscur objet du désir, That Obscure Object of Desire (1977, Luis Buñuel)
- Vivement dimanche! (1983, François Truffaut)
- Ensayo de un crimen/The Criminal Life of Archibaldo de la Cruz (1955, Luis Buñuel)
- À bout de souffle/ Breathless (1959, Jean-Luc Godard)
- Witness for the Prosecution (1957, Billy Wilder)
- Camille Claudel (1988, Bruno Nuytten)
- Memento(2000, Christopher Nolan)
- Casablanca (1942, Michael Curtiz)
- La Fille sur le pont/The Girl On the Bridge (1999, Patrice Leconte)
- Quai Des Orfèvres/Jenny Lamour (1947, Henri-Georges Clouzot)
- Au hasard Balthazar (1966, Robert Bresson)
- (Nuovo) Cinema Paradiso (1988, Giuseppe Tornatore)
- Demoiselles de Rochefort, Les/Young Girls of Rochefort (1967, Jacques Demy/Agnès Varda)
- The Graduate (1967, Mike Nichols)
- My Man Godfrey (1936, Gregory La Cava)
- The Bad and the Beautiful (1952, Vincente Minnelli)
- Laura (1944, Otto Preminger)
- The Sweet Hereafter (1997, Atom Egoyan)
- It Happened One Night (1934, Frank Capra)
- Alice (1990, Woody Allen)
- The Purple Rose of Cairo (1985, Woody Allen)
- Another Woman (1988, Woody Allen)
- Coup de torchon/Clean Slate (1981, Bertrand Tavernier)
- The French Connection (1971, William Friedkin)
- L.A. Confidential (1997, Curtis Hanson)
- Inside Daisy Clover (1965, Robert Mulligan)
- Antoine and Colette (1962, François Truffaut)
- Volver / To Return (2006, Pedro Almodóvar)
- Gilda (1946, Charles Vidor)
- Mulholland Dr. (2001, David Lynch)
- Three Days of the Condor (1975, Sydney Pollack)
- The Thin Man (1934, W.S. Van Dyke)
- Now Voyager (1942, Irving Rapper)
- The Godfather (1972, Francis Ford Coppola)
- The Godfather: Part II (1974, Francis Ford Coppola)
- Bringing Up Baby (1938, Howard Hawks)
- The Dead Zone (1983, David Cronenberg)
- Singin' in the Rain (1952, Stanley Donen)
- Chelovek s kino-apparatom/Man With the Movie Camera (1929, Dziga Vertov)
- Les Yeux sans visage / Eyes Without a Face (1960, Georges Franju)
- I Heart Huckabees (2004, David O. Russell)
- Rushmore (1998, Wes Anderson)
- Shopgirl (2005, Anand Tucker)
- The Squid and the Whale (2005, Noah Baumbach)
- One Flew Over the Cuckoo's Nest (1975, Milos Forman)
- Amadeus (1984, Milos Forman)
- Leon: The Professional (1994, Luc Besson)
- Mystic River (2003, Clint Eastwood)
- Lolita (1962, Stanley Kubrick)
- Scaphandre et le papillon, Le/The Diving Bell and the Butterfly (2007, Julian Schnabel)
- Breakfast at Tiffany's (1961, Blake Edwards)
- Lola (1961, Jacques Demy)
- Fem benspaend, De /The Five Obstructions (2003, Jørgen Leth)
- You Can Count on Me (2000, Kenneth Lonergan)
- Broken Flowers (2005, Jim Jarmusch)
- Bitteren Tränen der Petra von Kant, Die/ The Bitter Tears of Petra Von Kant (1972, Rainer Werner Fassbinder)
- Scarface (1983, Brian De Palma)
- All the President's Men (1976, Alan J. Pakula)
- Something's Gotta Give (2003, Nancy Meyers)
- Angst essen Seele auf /Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder)
- Amores Perros (2000, Alejandro González Iñárritu)
- His Girl Friday (1940, Howard Hawks)
- Underground (1995, Emir Kusturica)
- Tess (1979, Roman Polanski)
- Persona (1966, Ingmar Bergman)
- Bad Timing (1980, Nicolas Roeg)
- Jeanne la Pucelle - Les prisons (1994, Jacques Rivette)
- Heavenly Creatures (1994, Peter Jackson)
- Coeurs/Private Fears in Public Places (2006, Alain Resnais)
- Se7en (1995, David Fincher)
- Les Diaboliques (1955, Henri-Georges Clouzot)
- The Untouchables (1987, Brian De Palma)
- Deserto rosso, Il /The Red Desert (1964, Michelangelo Antonioni)
- Angèle (1934, Marcel Pagnol)
- The Night of the Iguana (1964, John Huston)
- Synecdoche, New York (2008, Charlie Kaufman)
MADAME CLAUDE Now Available For Pre-Order (My First Audio-Commentary)
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I'm so pleased to announce that recently I had the great fortune of
recording my first ever audio commentary for Just Jaeckin's extraordinary
1977 featur...